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Literal take on terrible art

One thing Michael Jackson's untimely exit reminded me about was the preponderance of overblown and pretentious music videos in the 80s. Jacko had some serious money to blow, so hey, why not spend half a million on a video for Thriller? The general rule was, bigger is always better, no matter how silly the results. It was also the rule for Jim Steinman, the man behind Meat Loaf, which is probably why his video for Bonnie Tyler's Total Eclipse of the Heart is the silliest of them all.

Steinman was responsible for Wagnerian pop: part opera, part stage musical, part rock, and lyrically all a kind of gothic, male adolescent fantasy. I never got it. In theory it should have appealed to me, since I was as interested in finding 'paradise by the dashboard light' as any teenage boy having to beat down 15 erections a day.

But no. I hated Meat Loaf, which was about as far as you could get from the progressive rock I was into. Music snob that I was, I thought it was for people who didn't know any better. It was Bruce Springsteen for 12-year-olds.

But hey, what did I know? Bat out of Hell sold millions, and it still does 200,000 copies a year, apparently.

One of Steinman's biggest hits was Total Eclipse of the Heart, which he wrote for Welsh singer Bonnie Tyler, who released it in 1983. It's typical of his songs: melodramatic and meaningless. It was huge, it was everywhere, and it sucked.

The music video, storyboarded by Steinman himself, is a great example of 80s excess. It's got everything you'd expect in a music video from the time: a mood-lit mansion at night, twirling ninjas, ghostly billowing curtains, an over-emoting singer with a Farah Fawcett blow-wave, and a kid with car headlights for eyes. Everyday stuff.

Like so many music videos, it's a bunch of visual non-sequiturs. All sound and fury, signifying a stinky pile of dog poo. Depending on your taste, of course.

Anyway, now somebody called dascottjr has reverse engineered the song from the video clip, to produce the 'literal version'. Be careful if you're watching this at work – you may wet yourself (I did).

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Your not alone in this observation. John Denver wrote in his second autbiography- 'Take me Home' that when all his main body of success was in the 70-80's- then entered the "dance video"- "it just wasn't me" he said. But he gained a wider audience for singing on issues of environment and protection of the seas (Calypso) and weapons of Warheads were all political hot spots. He side stepped all that Kiss freakyness and in interview Jefferson Aeroplane girl singer said the same of 'todays posturing is all put on stunts' but Jim Morrison was real, she said "We were there as a tour group and the difference was that Jim was for real". When you now watch a Doors video the tiny speakers, the portable keyboard/organ, the 3 peice drum kit and the resultant blend and immence power of the rythem leaves the Peter Garrets 'posturing' about as real as his belief in the environmental issues he once stood for. But the reason Meat Loaf and Bonnie Tyler made 'the cut sales' was that they could actually hold a note with strong lyrics. The video clips were just not needed here- but their voices are gut renching. I got their message- bought none of their singles but still liked the 'rush' if on radio.
Posted by adaptapensioner.com, 17/07/2009 11:55:57 AM, on The Canberra Times
Cherrypicker
Canberra Times reporter Dave Curry casts a discerning eye over the music world to bring you new and old gems from a variety of genres.
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