Man who brought monsters to life dies
Special effects guru and animator Ray Harryhausen, famed for creating dramatic scenes in science-fiction and fantasy movies has died in London aged 92.PT2M6S http://www.canberratimes.com.au/action/externalEmbeddedPlayer?id=d-2j7d0 620 349 May 8, 2013
Influential visual effects maker and animator Ray Harryhausen, who brought monsters, skeletons and mythological beasts to life for movies like Jason and the Argonauts long before computers took over the job, died Tuesday at age 92, his family said.
The art of his earlier films, which most of us grew up on, inspired us so much. Without Ray Harryhausen, there would likely have been no Star Wars.
Hollywood tributes flooded in for Oscar-winner Harryhausen, who was US-born but lived most of his life in London, after having worked for more than 40 years in the movie industry.
Ray Harryhausen manipulates a figure of a serpent-like monster for stop-motion animation, circa 1965. Photo: Getty Images
"Ray has been a great inspiration to us all in special visual industry," said Star Wars mastermind George Lucas.
"The art of his earlier films, which most of us grew up on, inspired us so much. Without Ray Harryhausen, there would likely have been no Star Wars," he added.
Director Peter Jackson called the Lord of the Rings his "Ray Harryhausen movie".
Special effects creator Ray Harryhausen poses with an enlarged model of Medusa from his 1981 film Clash Of The Titans at the London Film Museum in 2010. Photo: Getty Images
"Without his life-long love of his wondrous images and storytelling it would never have been made - not by me at least," he explained.
Tinseltown giant Steven Spielberg said Harryhausen’s "inspiration goes with us forever", while Avatar director James Cameron stressed that Hollywood science fiction practitioners had been "standing on the shoulders of a giant".
Britain's Nick Park, creator of Wallace and Gromit, called him the "king of stop-motion animation".
Characters in their own right: Model created by visual effects pioneer Ray Harryhausen. Photo: Getty Images
Harryhausen used a laborious, painstaking "stop-motion" animation technique to single-handedly create imaginative effects for 16 films from the 1950s into the 1980s including three Sinbad movies, Clash of the Titans (1981), It Came from Beneath the Sea (1955), Earth vs. the Flying Saucers (1956) and One Million Years B.C. (1966).
He received a special Academy Award for career achievement in 1992.
"Some say Citizen Kane is the greatest motion picture of all time, others say it's Casablanca," actor Tom Hanks said as he presented the special Oscar to Harryhausen. "For me, the greatest picture of all time is Jason and the Argonauts."
Titan in his own right ... Clash of the Titans' Ray Harryhausen died aged 92. Photo: Getty Images
That 1963 movie based on Greek mythology featured scenes of sword-wielding skeletons battling human warriors, a colossal statue coming to life and a seven-headed serpent.
While others officially handled the directing chores in his movies, it was Harryhausen who dreamed up, modeled and shot some of the most memorable moments in film history.
Most of his movies, often made with producer Charles Schneer, were low-budget affairs. He once had to make a giant octopus with just six tentacles to save money. But his movie magic helped inspire future cinema giants.
Harryhausen, who was born in Los Angeles in 1920, attributed his fascination with special effects to Willis O'Brien’s creations in 1933 classic King Kong.
"Harryhausen’s genius was in being able to bring his models alive," said the family statement.
"Whether they were prehistoric dinosaurs or mythological creatures, in Ray’s hands they were no longer puppets but became instead characters in their own right, just as important as the actors they played against and in most cases even more so," it added.
Harryhausen perfected the stop-motion technique that had been used in a small number of earlier films by others, including special effects pioneer Willis O'Brien, who would become his mentor.
The process allows miniatures to be turned into monsters. Doll-sized models are photographed one frame at a time in continuous poses to create the illusion of motion in a method Harryhausen dubbed "Dynamation".
The creations are then mixed with footage of people, cities and nature and can be made to appear gigantic or tiny depending on the plot.
Harryhausen's creations invariably cause mayhem. In Earth vs. the Flying Saucers, his UFOs invade Washington, toppling the Washington Monument and smashing the Capitol dome.
In 1953's The Beast From 20,000 Fathoms, a dinosaur-like creature roused from hibernation by an atomic bomb test rampages through Manhattan before meeting its end amid the wreckage of a Coney Island rollercoaster. Many themes from that movie were repeated in the original 1954 Japanese Godzilla.
Harryhausen brought dinosaurs to life in 1969's The Valley of Gwangi, featuring an Allosaurus battling an elephant, and the caveman fantasy One Million Years B.C., which is also known for Raquel Welch donning a fur bikini.
The three movies based on the Sinbad tales - The 7th Voyage of Sinbad (1958), The Golden Voyage of Sinbad (1973) and Sinbad and the Eye of the Tiger (1977) - feature a one-horned Cyclops battling a fire-breathing dragon and a statue of a six-armed goddess based on the Hindu Kali coming to life to fight Sinbad and his crew.
His last film was 1981's Greek mythology adventure Clash of the Titans, marking the only time in his career he had a big-name cast, including Laurence Olivier, Burgess Meredith, Maggie Smith and Ursula Andress appearing alongside Harryhausen's winged-horse Pegasus and snake-haired Medusa.
Asked in 2010 which of his creatures was his favorite, Harryhausen told the Star-Ledger newspaper in New Jersey: "Oh, I couldn't tell you that. The rest of them would get jealous."
Harryhausen's career inspiration came when he saw King Kong at age 13, with the giant gorilla battling dinosaurs and then running amok in New York. He started to sculpt his own models and film experimental footage and received advice from O'Brien, with whom he worked on another giant ape movie, Mighty Joe Young (1949) before making films on his own.
Ray Bradbury, the American science fiction writer who was a lifelong friend, said, "Harryhausen stands alone as a technician, as an artist and a dreamer."
Reuters, with AFP