Nothing but the best ... Patek Philippe, a company founded in 1851 whose handcrafted parts and sophisticated mechanical movements set it apart from many of its Swiss rivals. Photo: James Brickwood
As Alfredo Paramico pulls up in a blue Audi at the 178-year-old neoclassical Four Seasons Hotel des Bergues in Geneva, the staff snaps into action.
With his handsome chiseled face, crisp white shirt, jacket by Neapolitan bespoke tailor Biagio Mazzuoccolo and slim jeans, banker Alfredo Paramico looks like an actor. Located in the heart of a city that’s home to Patek Philippe and Rolex Group, the hotel pampers Paramico because he’s one of the world’s leading watch collectors.
These days, as everyone from Michael Schumacher to Usher to Arnold Schwarzenegger collects mechanical watches worth tens of thousands of dollars, Paramico is in a league of his own. Now 43, the Italian banker from Milan started buying Swiss timepieces more than two decades ago, before Geneva auctions overflowed with buyers.
He has devoted himself to an intensive study of rare vintage watches and put together a grouping of 10 exceptional Patek Philippe timepieces. His assemblage makes Paramico one of the top 10 collectors worldwide out of a total of about 50,000 enthusiasts, says Davide Parmegiani, a dealer in Lugano, Switzerland, who has sold luxury watches for 25 years.
“He doesn’t want to have everything,” says Arnaud Tellier, a consultant to collectors and watchmakers who ran the Patek Philippe Museum in Geneva for 11 years.
“He selects only the cream of the cream.’’
Or the best of Patek Philippe, a company founded in 1851 whose handcrafted parts and sophisticated mechanical movements set it apart from many of its Swiss rivals. Several of Paramico’s vintage pieces date back to the 1940s and ’50s, and all of his watches are encased in either white gold, platinum or steel -- rather than the more common yellow gold -- giving them the name white Pateks.
Six of them contain so-called complications that make the watches distinctive, such as a perpetual calendar that automatically adjusts to the start of a new month. Paramico says his collection is worth about 20 million euros, or about 8 million euros more than what he paid for the watches starting in 2000.
“If I see the same patina on the dial, the same aging of the hands, the indices and the bracelet, this is what I love,” says Paramico, a discreet man whose face breaks into a smile when he talks about his collection.
“The satisfaction that you can receive from a vintage watch you can never get from a modern one.”
Paramico is now off on a new quest to show investors that watches can earn solid returns. In 2010, Luxembourg-based Elite Advisers, a firm that manages wine and jewelry investment funds, asked Paramico to start the world’s only regulated open-ended watch fund.
He already had a day job as head of global markets at the Italian branch of Spain’s Banco Bilbao Vizcaya Argentaria SA (BBVA), where his team in Milan buys and sells equity, debt and foreign- exchange assets. But Paramico couldn’t resist the offer and almost immediately said yes.
So, after arriving home each night from the bank, he typically retreats to his study in his spacious 19th-century apartment in Milan’s chic Brera district to manage his watch fund.
The study highlights his singular obsession. Its shelves are packed with more than 500 auction catalogs and about 1,000 other watch publications. His yellowing archival material contains minute production details of classic pieces.
Paramico says he scours the catalogs and speaks to collectors and dealers often until 1 am in search of his next prized timepiece.
Alternative to Securities
“I had more free time in the past, but it’s my passion,” says Paramico, who’s married but has no children. “I could talk about watches for a week.”
Paramico says investors seeking gains from hard assets are moving into his fund partly because the vintage watch market is not correlated with the movement of securities. At the end of August, his 19.5 million euro fund held 512 luxury timepieces -- mostly Patek and Rolex.
He says the fund could eventually swell to 250 million euros. It notched an 18.2 percent gain from inception at the beginning of 2011 through August 2012, beating the 11.8 percent rise in the Standard & Poor’s 500 Index.
To avoid conflicts, securities regulators in Luxembourg prevent any of his watches from coming into the fund.
On a May morning in Geneva, Paramico shows a group of about 10 Swiss men and women the watches he has purchased for his fund.
The pieces are mostly vintage and kept in an underground vault behind a series of security doors at the free port, a tax- free storage area. As the investors examine the watches, Paramico, who also speaks French and English, tells them that rare, high-quality pieces will continue to appreciate because of the limited supply and growing demand, particularly from Asia.
Prices of a particular type of Rolex Cosmograph Daytona, which gained fame partly because the late actor Paul Newman owned one, climbed to $105,000 last year at a Christie’s auction from about $33,000 in 2002. Paramico’s fund owns several Paul Newman models.
When Paramico first started going to auctions in Geneva run by Christie’s, Sotheby’s and Antiquorum in the 1990s, demand for watches was scant. There were a lot of empty seats, and a few buyers could have bought most of the catalog between them.
Now, collectors compete for seats at standing-room-only auctions, with bids by phone coming in from all over the world.
Bidding at Auction
During a packed Christie’s auction at the Hotel des Bergues in May, Paramico eyes a rare vintage Rolex for his fund. The yellow-gold piece has a slightly rounded case back, a black- lacquer dial and star-shaped indices.
The one shortcoming: It lacks a mechanical complication such as a chronometer or stopwatch function. Bids in at least eight different currencies come in by phone and are displayed digitally on a wall covered in blue fabric behind the auctioneer.
Paramico, seated near the back of the chandelier-lit room to better scope out his competition, waits patiently before making his move for the Rolex, now at 260,000 Swiss francs ($270,000).
“New bidder, blue shirt, 265!” declares the auctioneer as he points to Paramico. He and a rival get into a bidding war. The Italian banker raises his offer several times by 5,000 francs before shaking his head to withdraw, refusing to top 300,000 francs, the winning bid that’s twice Christie’s high estimate.
Paramico says he calibrates values based on quality, age, uniqueness and complications and is careful not to overpay, particularly when buying for his fund.
“When we reach 300,000 for a time-only Rolex, even if very rare and very particular, we need to say stop,” he says.
The son of an engineer, Paramico recalls first becoming fascinated with watches as a young child in Naples, Italy. A family photo shows him as a 6-year-old coveting his mother’s Zenith. Small yet weighty objects appealed to him, and to this day, he often carries a watch in his pocket because of the sense of security it gives him.
As a teenager, he began buying inexpensive timepieces, partly with money he earned making deliveries for a pastry shop. He graduated from Bocconi University in Milan with a master’s degree in econometrics and took a job trading options on government bonds at Bankers Trust (BNKR) in London in 1994. Armed with a bigger salary, he began plunking down $200,000 on high- end pieces.
Seeking even higher quality, he honed in on Pateks, buying one in 1999 with a pink-gold case, calendar, chronograph and function showing moon phases. He paid the equivalent of 225,000 euros and sold it a few years later for 450,000 euros after deciding to refine his collection to just white Pateks.
“White is considered more chic, and there’s nothing more exclusive than white Pateks,” Parmegiani, the dealer, says.
Paramico has spent more than 1 million euros for several of the watches in his personal collection. He estimates he has devoted about 90 per cent of his career earnings to his watches, with enough left over for his 2009 599 GTB Ferrari and paintings by Italian postmodernists such as Mario Schifano.
“When you work in finance and start running a book, you basically need to take a view, and this is where my success in watches comes from,” Paramico says. “Every important watch I bought, when I bought it, many people said I overpaid. Now, the prices I paid look ridiculously cheap. I take a view, and usually my view is to go for high quality and rarity.”
Opaqueness of Market
His strategy helps reduce the risks of investing in an opaque market where timepieces are often privately exchanged and values are based mostly on a collector’s taste rather than hard data. Paramico says watches from newer brands often lose up to 40 percent of their retail value when they sell at auction.
“Not to discourage people from investing in treasure assets like watches for the financial return, but there are a lot of pitfalls to be aware of,” says Emily Haisley, an analyst at London-based Barclays. (BARC) “It’s very difficult to get a correct picture of what these markets are doing; it’s very rare you have a reliable market index.”
Paramico, who gathers pricing data from auctions and other collectors, made the biggest watch purchase of his life in 2007.
Four years earlier, he began his pursuit of the first of only four known steel Pateks, reference number 1518, that feature a perpetual calendar and chronograph. Paramico knew the owner --the world of elite watch collectors is small -- and contacted him. But the owner, an Italian in the textile industry, didn’t want to sell the Patek.
Paramico persisted, often meeting him for dinner during auction weekends in Geneva and in Italy. In 2007, at Hotel des Bergues, the owner told Paramico he was selling his vintage watches to focus on contemporary models. Paramico could have the steel Patek for 2.2 million euros, almost five times what the owner had paid in the early 1990s.
The banker said yes on the spot. “It’s one of the most sought-after watches ever,” says Paramico, sitting next to the table where he struck the deal. “When I shook his hand, I felt like I could have walked on the lake.”