Her days are occupied by playing with dinosaurs, reading and watching episodes of Bluey and her nights are spent appearing in Ibsen's brooding A Doll's House. Winifred Hannan-Morrow is one busy toddler.
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But she's not alone - mum and dad are also appearing in the Canberra Rep's production of the classic, prescient drama, the season continuing at Theatre 3 until March 2.
Dad Sam Hannan-Morrow is Nils Krogstad in the play while mum Heather Spong is the nanny.
Even big brother Michael Spong, 16, got involved in the production by helping to build the sets.
"We've been part of the Rep for quite a long time and having our children involved is very nice,'' Sam said.
None of their characters are related. But because Heather is the nanny, she does get to hug 21-month-old Winifred quite a lot in the play.
And as the cheeky notes in the program suggest, Winifred's "inclinations towards mother-hugging could be described as Stanislavski’s method of immersive characterisation''.
The three-act play goes for about three hours but Heather's role finishes at the start of act two, so she quickly bundles up Winifred and takes her home to bed.
"I think she's enjoying it,'' Heather said.
"She definitely gets excited whenever we go to the theatre and she enjoys being with her on-stage brothers.''
Sam has appeared in several Canberra Rep productions while Heather used to work in the office and also worked in the costume department. Michael, a Hawker College student, became interested in set building through his passion for furniture making.
Production manager Simon Tolhurst approached Sam and Heather with a classic request when helping to cast the play.
"He asked, 'Can we put your daughter on the stage?' which I think was a reference to Noel Coward's, Don't Put Your Daughter on the Stage, Mrs Worthington,'' Heather said, with a laugh.
Mum and dad tag team looking after their daughter when they're not on stage.
And they do think they have a little performer on their hands.
"Oh, dear gosh, yes,'' Heather said.
"She's always clocking the audience and giving them a smile.''
And Heather said anyone looking to pay a visit to A Doll's House, about a woman's quest for self-determination, would be thrilled by Simon Stephens' English translation, which internalises much of Ibsen's monologues.
"It's much more accessible,'' she said.
A Doll's House is at Theatre 3 until March 3. Tickets here.
