Across the world The Nutcracker is the quintessential Christmas experience. Children grow up knowing the story of Clara and the Nutcracker Prince who takes her on a journey through a snowy forest to the Kingdom of Sweets. Those children (and their parents) look forward throughout the year to its annual return. It used to be a wonderful Christmas experience enjoyed each year by Australian dance audiences too, but that was long ago. Now, however, under the energetic and committed direction of artistic director, Li Cunxin, Queensland Ballet has begun to bring back the annual tradition of a Nutcracker Christmas. This year Canberra has been included as part of Queensland Ballet's season. How lucky we are.

Every Nutcracker has its own character and every production has slight differences in how the story unfolds. Queensland Ballet's production is by American-based choreographer Ben Stevenson and it has a warm and homely atmosphere to its opening scenes. Children cross the stage in excitement, some dragging their parents behind them. Some ride a sled. Some older people slip on the icy surface. They enter a house, complete with sparkling Christmas tree, where young and old mingle, laugh, eat and drink, dance, play (and have the odd argument) and exchange presents. Clara, youthfully and prettily danced by Mia Heathcote, is given a nutcracker doll by a mysterious visitor, Dr Drosselmeyer (Shane Wuerthner), and the story revolves around this toy. There is a strong comic element to the party scene, and there are more elderly characters than is often the case. It all makes for a genial gathering.

When the party is over and the guests have departed Clara is woken from her sleep by giant mice who attack her. A fight ensues and Clara kills the King Rat with her shoe before her nutcracker toy is transformed into the Prince (Alexander Idaszak) and the journey to the Kingdom of Sweets begins. When she arrives, Clara is entertained by the inhabitants of the Kingdom, from the pastry cooks to the Sugar Plum Fairy (Yanela Pinera). Finally we find Clara and her toy nutcracker back at home. And we wonder if we, and Clara, have been dreaming?

Queensland Ballet tells the story clearly and smartly and the company dances this Nutcracker to perfection. The corps de ballet shone at every moment whether as snowflakes, life-sized toy soldiers, flowers, or other characters. The snowflakes were dazzling and the Snow Queen (Laura Hidalgo) danced an exceptional pas de deux with the Prince. Hidalgo had such a lyrical quality to her movement, and a beautifully fluid upper body. Every single movement was impressively defined, so much so that she looked as though she was dancing in slow motion. She was attentively partnered by Idaszak, who danced strongly but somehow gently and softly as well. But the flowers in the second act just amazed me with a series of pretty much perfect double pirouettes, moving across the stage in twos and performing in canon. And they looked as though they loved dancing. Wonderful to see.

Of the divertissements in the Kingdom of Sweets it was quite special to see Mother Ginger (Liam Geck). This variation rarely appears in other productions but is a delightful sequence in which several children appear from beneath the huge, hooped skirt of a very tall, motherly figure. The Chinese Dance also had an unusual martial arts twist. And the choreographic highlight, the pas de deux and variations of the Sugar Plum Fairy and the Prince, was worth waiting for. There were so many charming, memorable moments.

But in the end this evening stood out as a heartwarming performance of a much-loved ballet by a company that in recent years has gone from strength to strength. Despite funding issues, mentioned by Li Cunxin in his post-performance speech, Queensland Ballet stands tall and proud as a company that cares about the art form and its future. May they return many times to Canberra. We are ready and waiting.

Disclaimer: Michelle Potter had two family members in the children's cast of Queensland Ballet's Nutcracker.