In a technicolour world, filmmakers often turn to black and white for dramatic effect

By Ron Cerabona
Updated February 13 2020 - 12:50pm, first published 12:00am

Two of the most striking aspects of The Lighthouse are that it's shot in dark, gloomy black and white - reflecting its tone - and its aspect ratio is 1:19. The first has been rare for more than 50 years; the latter almost unheard of since the early sound era. It seems the film was intended to evoke almost a silent-film world, almost German Expressionist, helping to create unease: long stretches of it take place with no dialogue, only music and sound effects.

Subscribe now for unlimited access.

$0/

(min cost $0)

or signup to continue reading

See subscription options

Get the latest Canberra news in your inbox

Sign up for our newsletter to stay up to date.

We care about the protection of your data. Read our Privacy Policy.