Review

Review: In Spies and Sparrows, Phillip Deery explores the human factor in Australia's espionage history

By Ian McFarlane
February 26 2022 - 12:00am
Evdokia Petrov at Mascot Airport escorted by two Soviet officals. Picture: Supplied
Evdokia Petrov at Mascot Airport escorted by two Soviet officals. Picture: Supplied
  • Spies and Sparrows: ASIO and the Cold War, by Phillip Deery. Melbourne University Press, $34.99.

Perhaps understandably, for an enterprise whose central imperative is secrecy, espionage has always had an image problem. The moral conundrum of balancing civil liberties in a diverse and fast-moving democracy still haunts us, perhaps now more than ever. Spooks have been around a long time, but modern espionage arguably begins with Britain's Secret Intelligence Service at the start of the 20th century. Earlier, Kipling had romanticised espionage with his novel, Kim, in which a boy is taught to play "the Great Game" in defence of Empire. It's a fuzzy fictional focus that continued with novels like John Buchan's The Thirty-nine Steps, in which a devil-may-care British amateur leads the ruthless Hun a merry chase. These exploits were arguably more plausible than most of the novelistic nonsense that followed - Greene, Le Carre, and Deighton honourably excepted - but helped mythologise what is, for the most part, a dreary bureaucracy of people who keep secrets from other people in the dangerously puffed-up assumption it somehow makes the world a safer place. Essentially, spying is an argument in favour of ends justifying means. And that's doubtful baggage to be carrying in a crowded and complex world, increasingly frustrated by cultural and ideological factions.

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