We'll call them, for the sake of alliteration, "snubs," but they're mostly just a sign that there remains too much good television for voters to parse - even during these isolated times when we're stuck inside for too much of the day, wondering if anyone else is enjoying "Never Have I Ever" as much as we are.

Making it in ahead of Emmy winners Nicole Kidman, Viola Davis and Elizabeth Moss, the star of HBO's dark drama Euphoria pulled off the morning's biggest surprise. But voters were spot-on in recognising her haunting, unsettling work in the show. The former Disney star carried this uneven series with style and sensitivity to spare.

Never underestimate the power of Baby Yoda or the Child or, as I call this bundle of joy, the Light of My Life. The Mandalorian was everything fans wanted the last Star Wars trilogy to be, superbly crafted sci-fi that tapped into Lucasfilm lore and created its own vivid, Sergio Leone-inspired spaghetti western world.

Issa Rae, the star and co-creator of the excellent HBO comedy Insecure, earned a lead actress comedy nomination two years ago, but, outside of two well-deserved cinematography nominations, that was it. So this series nomination comes as a pleasant surprise, an acknowledgment that a show depicting black women finding love and struggling and succeeding can be powerful and worthy of attention. Plus, it's really funny.

To be clear, there could be no wrong choices in a category that also included Regina King (Watchmen), Cate Blanchett (Mrs. America), Reese Witherspoon and Kerry Washington (Little Fires Everywhere), Merritt Wever and Kaitlyn Dever (Unbelievable) and Daisy Edgar-Jones (Normal People). And Haas, playing a young woman escaping a Hasidic community in Brooklyn, went above and beyond for her art. On her first day of filming, she had to get partially nude for a scene in a mikveh and then, in the afternoon, she shaved her head. And that was just the start of this demanding role.

Ramy Youssef picked up an acting nomination, with Ramy making history as the first Muslim American sitcom to earn Emmy recognition. Castmate Mahershala Ali joined him. But voters didn't recognise the show itself, a shocking omission for one of the best-reviewed comedies of the season.

What did Seehorn, arguably the most important cast member of one of television's best dramas, do to Emmy voters? Did she cut to the front of a buffet line at a TV academy party? Was she overheard making some disparaging remark about puppy dogs and rainbows? Tell me! Please! What did she do? Because her consistent, controlled turn as attorney Kim Wexler in Better Call Saul has been a marvel for 50 episodes, and this past season gave her a few great, big moments, including a nerve-jangling, truth-bending, life-saving face-off with Lalo (Tony Dalton) in the penultimate episode.

You could argue that between The Morning Show, Big Little Lies and Little Fires Everywhere no one had a better year than Reese Witherspoon. But maybe she had too much of a year? She also had to compete with her castmates - Jennifer Aniston for The Morning Show, Nicole Kidman in Big Little Lies and Kerry Washington in Little Fires. She was every bit their equal. Perhaps voters just couldn't decide which spot to pick her.

OK, sure, the Bonnie story line didn't work and there may have been competing visions for the show's direction, but the second season still gave us plenty of juicy pleasures as well as some powerful scenes examining the poisonous nature of denial. Plus, any series starring Nicole Kidman, Meryl Streep, Reese Witherspoon, Laura Dern, Shailene Woodley and Zoë Kravitz beats a show that takes its John Hughes references a little too seriously (Stranger Things).

Adlon's inventive, beautifully observed comedy being omitted from an expanded comedy series category reminds me of this past Oscars, when voters ignored so many worthy films made by women. These groups are still male-dominated, and, sometimes, you can chalk up a lapse in judgment to demographics. Times television editor Matt Brennan tweeted not long ago that if Better Things had been made by a man, it would likely have won several Emmys by now. He's right. And Adlon not getting nominated for lead actress only makes this feel worse.

I thought that voters would want to send the former Emmy winner out in style for the last season of How to Get Away With Murder. But the lead actress drama category was packed with possibilities, so Davis' Emmy run as Annalise Keating ends at five noms.

We understand if a grand, melancholy Irish romance - particularly between young people, whom Emmy voters seem to hate and resent - isn't everyone's ideal. Some people don't like black pudding and baked beans for breakfast, either. But there shouldn't be much debate about the worthiness of Edgar-Jones' achingly vulnerable work in the exquisite Normal People.